Switzerland’s Rita Productions, producer of Academy Award-nominated “My Life as a Courgette,” is re-teaming with France’s Silex Movies, the corporate behind France Televisions’ Slash hit collection “Stalk,” to develop “Witch!” (“Sorciere!”).
Aiming to rehabilitate the determine of the witch in modern society, doc-feature “Witch!” relies on the bestselling essay by Mona Challet, “Witches, the Undefeated Energy of Ladies.” The essay ought to hit English-language bookstores later this 12 months.
The doc-feature is being written by TV creator Thalia Rebinsky whose “Nina” is now in its sixth season on France 2, and documentarian Eve Minault, director for French-German public broadcaster Arte of the prescient “Crash: Are You Prepared for the Subsequent Disaster?”
Pauline Gygax, Judith Nora, Max Karli and Priscilla Bertin will produce. Minault, Rebinsky and Gyax will current the undertaking on Saturday April 25 as a part of an RTS Prize: Documentary Views showcase, organized by the French-language broadcaster at Swiss movie pageant Visions du Réél, which runs on-line from April 17 to Could 2.
Carrying a money prize of SF10,000 ($10,300), the RTS Prize varieties a part of Visions April 25-Could 2 business program.
The 90-minute documentary characteristic units out to trace down modern-day witches worldwide. Having accomplished so, it is going to analyze their figures in current-day society, enrolling testimonies from thinkers, unique archive materials and modern movie footage and artistic animation.
Witches are not burnt on the stake. Their place in modern society, nonetheless, is hardly ultimate, scary “at greatest censorship or self-censorship, at worst, hostility and violence,” says a movie synopsis.
“Witch!” is in early improvement, with the construction and tone of the documentary established, in addition to its essential axes of adaptation, and naturally the iconographic analysis, which producer Pauline Gyax at Rita Productions referred to as “very dense.”
“The witch hunt has all the time been a hunt totally free, autonomous and brave girls. The rise of at present’s “new feminism” inevitably provokes very robust resistance (protection of the good points of masculinity; questioning of acquired rights reminiscent of abortion all through the world,; homophobia; resurgence of non secular extremism…),” stated Gyax.
She added: “As Susan Faludi already noticed 30 years in the past, that is the backlash idea: Right now greater than ever, witches are seen, but in addition strongly rejected. Simply have a look at the destiny of a sensible 16-year-old teenager who permits herself to say that the planet is in hassle….”
”We have been destined to work along with Rita Productions on this new undertaking. Rita is our ‘sister manufacturing firm’ in Switzerland, we share the identical DNA and had the possibility to work with Pauline Gygax and Max Karli up to now on a characteristic movie,” stated producer Judith Nora at Silex Movies.
She added: “Silex Movies goals to provide tasks with robust cultural impression utilizing new visible grammar aimed to a big and worldwide viewers. ‘Witch!’ displays this ambition completely. Mona Chollet’s insightful essay is a big ‘hit’ in France and its success is spreading everywhere in the world. We really feel very fortunate as this widespread reputation is opening many alternatives for the worldwide market.”
Relating to the animation sequences, the producers are exploring varied avenues: Bringing nonetheless images-archives to life, re-creating witchcraft trials from the Center Ages however with modern-day witches as defendants, or, as in Judy Chicago’s set up The Dinner Occasion, inventing a dinner that brings collectively figures of ladies witches from all eras: Goddess Kali speaking with Louise Bourgeois speaking with Beyonce speaking with Frida Kahlo and so forth.
“Our motto for the movie is: Not one single mounted picture,” Gyax stated.
The producers need to shoot within the U.S., Europe and, crucially, past, – an purpose which can make “Witch!” a considerably extra substantial price range than most tasks being introduced at Visions du Réel.
“This worldwide ambition is essential to us, to consolidate the resolutely pedagogical side of the movie and in addition to get out of a type of western ethnocentrism that’s all too widespread. This is able to be significantly unfair right here.,” Gyax stated.
Based by Karli and Gyax in 2003, Geneva-based Rita Productions produced “My Life as a Courgette” and, teaming with Silex Movies, Bettina Oberli’s “With the Wind,” which gained the Selection Piazza Grande Award on the 2018 Locarno Competition.
Additionally in 2018, it co-launched Bandita Movies, with Ursula Meier (“Sister”), Lionel Baier (“Self-importance,” “One other Man”), Jean-Stéphane Bron (“The Paris Opera”), and Frédéric Mermoud (“Moka”) at Lausanne-based Bande à Half Movies. The three way partnership to make full-on worldwide films, each fiction and doc-features has Ursula Meier’s La Ligne (“The Line”) close to to going into manufacturing and Baier’s “South” scheduled to shoot on the want of summer season in Italy earlier than the coronavirus disaster postponed these plans.
Primarily based in Paris, and specializing in characteristic, drama collection and 2D animation, Silex Movies’ “Jungle,” Louise Mootz’ 52-minute doc-feature “Jungle” capturing her greatest associates in northern Paris as they confront their wishes, sexuality and situation as girls with untamed power, has been chosen for Visions du Réel’s medium-feature and shorts part.
Silex drama-thriller “Stalk,” which was launched in March on France Télévisions’ Slash service has shortly turn into probably the most critically acclaimed of latest YA French TV collection, showcased by The Wit at Mipcom and profitable final September greatest director for Simon Bouisson and most promising actor for Théo Fernandez at La Rochelle’s Competition de la Fiction TV.
Adapting Pénélope Bagieu’s worldwide bestseller “Culottées,” Silex’s 2D animated collection “Brazen” has simply been chosen for the 2020 on-line Annecy Intl. Animated Movie Competition.